Daar ga je al.wrote:Iemand op youtube
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Seems Legitwrote:Daar ga je al.wrote:Iemand op youtube
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Dodelijk ongeval Biddinghuizen
BIDDINGHUIZEN - Een 30-jarige man uit België is in de nacht van vrijdag op zaterdag omgekomen door een ongeval in Biddinghuizen (Flevoland). Dat meldde de politie. Het ongeluk gebeurde vlakbij het vakantiepark Walibi World.
Volgens ooggetuigen stak de man plotseling de weg over, zonder eerst te kijken of er verkeer aan kwam. Een 30-jarige automobilist uit Elburg kon de Belg niet meer ontwijken.
http://www.telegraaf.nl/binnenland/1241 ... zen__.html
BIDDINGHUIZEN - Een 30-jarige man uit België is in de nacht van vrijdag op zaterdag omgekomen door een ongeval in Biddinghuizen (Flevoland). Dat meldde de politie. Het ongeluk gebeurde vlakbij het vakantiepark Walibi World.
Volgens ooggetuigen stak de man plotseling de weg over, zonder eerst te kijken of er verkeer aan kwam. Een 30-jarige automobilist uit Elburg kon de Belg niet meer ontwijken.
http://www.telegraaf.nl/binnenland/1241 ... zen__.html
C
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https://hardtraxx.com/actueel/t ... 27297.htmlwrote:Dodelijk ongeval Biddinghuizen
BIDDINGHUIZEN - Een 30-jarige man uit België is in de nacht van vrijdag op zaterdag omgekomen door een ongeval in Biddinghuizen (Flevoland). Dat meldde de politie. Het ongeluk gebeurde vlakbij het vakantiepark Walibi World.
Volgens ooggetuigen stak de man plotseling de weg over, zonder eerst te kijken of er verkeer aan kwam. Een 30-jarige automobilist uit Elburg kon de Belg niet meer ontwijken.
http://www.telegraaf.nl/binnenland/1241 ... zen__.html
A
verkeerde topic 
Last edited by Anonymous on , edited 1 time in total.
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Kijk eens verder dan je neus lang is vriend, staat al lang bij nieuwe tracks
F
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Hoodoo Voodoo & Sleeping Souls Fsuon 149 gaat worden.. 23 july 2012
http://www.fusionbv.com/records/donkey- ... -souls/227
dus dat topic kan weer open
http://www.fusionbv.com/records/donkey- ... -souls/227
dus dat topic kan weer open
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Frequence Outdoor:
VVK start vandaag om 12.00 uur! Early Birds betalen slechts € 22,50 (incl 4 drinkmunten)! Maar 1000 EB-tickets beschikbaar dus ben er snel bij! http://www.firstvision.nl/tickets
VVK start vandaag om 12.00 uur! Early Birds betalen slechts € 22,50 (incl 4 drinkmunten)! Maar 1000 EB-tickets beschikbaar dus ben er snel bij! http://www.firstvision.nl/tickets
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Last edited by jambekkie on , edited 1 time in total.
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http://www.dancingastronaut.com/2012/06 ... z1ynekgCis
Editorial: Dance music has gone mainstream, but it doesn’t have to sell out
Dance music has gone mainstream. There. I said it. Afrojack and David Guetta are all over the radio. Avicii “Levels” is in too many commercials to count. Flo Rida is rapping over “In My Mind.” I could go on and on, but there’s no denying that the influx of attention, money, and new fans has thrust a once “underground” genre into the national (and global) consciousness.
Here’s the thing though: This isn’t bad — it’s natural. It’s survival of the fittest. In the same way that people were clamoring for Lil Wayne and Kanye West tickets just a few years ago, now it’s all about snagging passes to Sensation, or EDC, or Electric Zoo, or any of the other hundred EDM events slated to go down in the next few months.
There is a bad thing happening now that EDM is so popular however: We’ve allowed the talent to get complacent. And that’s not cool.
The always outspoken Deadmau5 recently published a post to his Tumblr entitled “we all hit play.” If you read the entire piece (which you should if you care enough to read this one), you will appreciate his honesty and level-headedness about the realities of being a musician in 2012. He draws a fine line between the skills required for a live show and the skills required to be an actual producer, saying that “my ‘skills’ and other PRODUCERS skills shine where it needs to shine… in the goddamned studio, and on the fucking releases.” That’s the exact distinction that has needed to be made for some time now. It’s not a DJs job to make new tracks in front of a crowd — that’s borderline impossible — but it is a DJ’s job to take a crowd “on a roller coaster… and connect with them.”
You would think that the DJs themselves would get bored of it, yet they continue to drop predictable, staid combinations like “Coming Home” vs “Quasar” in nearly every set they play. Maybe it’s because we’re still jumping around as ferociously as we did the first time or maybe it’s because they still get paid regardless of what they play. I’m not saying that these sets are bad, because they’re not. I am saying that they’re getting old.
If the current trajectory of DJ sets continues, it won’t be long before everyone catches on to what’s really going on here. In the same way that mainstream radio stations have killed songs by playing them far too often, DJs are quickly doing the same.
Luckily, this problem is easily rectified. Now is the time to capitalize on the momentum of the industry, to embrace the sudden infatuation with our music as opposed to shying away from it. People want to be surprised. They want to be blown away. They want a reason to keep liking it.
So this is a message to all the DJs out there who read Dancing Astronaut (and to the ones who don’t too): Don’t be afraid to take risks. Don’t be afraid to play a song that you released in 2011, 2010, or 1995 for that matter. Don’t be afraid to play a new song from an up-and-comer that has the potential to make people “go bananas.” Don’t be afraid to omit your latest single for once. Don’t be afraid to leave us wanting more.
If you do, we’ll keep coming back for it.
Editorial: Dance music has gone mainstream, but it doesn’t have to sell out
Dance music has gone mainstream. There. I said it. Afrojack and David Guetta are all over the radio. Avicii “Levels” is in too many commercials to count. Flo Rida is rapping over “In My Mind.” I could go on and on, but there’s no denying that the influx of attention, money, and new fans has thrust a once “underground” genre into the national (and global) consciousness.
Here’s the thing though: This isn’t bad — it’s natural. It’s survival of the fittest. In the same way that people were clamoring for Lil Wayne and Kanye West tickets just a few years ago, now it’s all about snagging passes to Sensation, or EDC, or Electric Zoo, or any of the other hundred EDM events slated to go down in the next few months.
There is a bad thing happening now that EDM is so popular however: We’ve allowed the talent to get complacent. And that’s not cool.
The always outspoken Deadmau5 recently published a post to his Tumblr entitled “we all hit play.” If you read the entire piece (which you should if you care enough to read this one), you will appreciate his honesty and level-headedness about the realities of being a musician in 2012. He draws a fine line between the skills required for a live show and the skills required to be an actual producer, saying that “my ‘skills’ and other PRODUCERS skills shine where it needs to shine… in the goddamned studio, and on the fucking releases.” That’s the exact distinction that has needed to be made for some time now. It’s not a DJs job to make new tracks in front of a crowd — that’s borderline impossible — but it is a DJ’s job to take a crowd “on a roller coaster… and connect with them.”
What worries me is not that DJs are simply “pressing play,” but that they’re pressing play on the same tracks in the same order night after night after night. There’s new music being released at a breakneck pace, but many of the big name DJs are still spinning the same freaking sets every time. They are playing the same bootlegs, making the same transitions, and delivering the same exact shtick every day of the week.”A DJ is a guy that comes into a room… scans it in… is like: ‘Okay. What do I need to do to get these people to go bananas?” – Sebastian Ingrosso
You would think that the DJs themselves would get bored of it, yet they continue to drop predictable, staid combinations like “Coming Home” vs “Quasar” in nearly every set they play. Maybe it’s because we’re still jumping around as ferociously as we did the first time or maybe it’s because they still get paid regardless of what they play. I’m not saying that these sets are bad, because they’re not. I am saying that they’re getting old.
The draw to see any DJ live usually stems from an affinity for their original productions, so their skills in the studio should be able to make up for the fact that they are going to just “hit play.” These guys get more music submissions than anyone on the planet; is it really that hard to find new material to play out? They spend countless hours on planes with their laptops and production tools at the ready; is it really that hard to put together a new mashup or bootleg before a set? I miss the days where I would say “Whoa, what is this?!” instead of “Ugh, this bootleg again?” As much as it sucks when Shazam can’t ID a track, it sucks even more when you know every single song being played.“because this whole big “edm” is taking over fad, im not going to let it go thinking that people assume theres a guy on a laptop up there producing new original tracks on the fly. becausje none of the “top dj’s in the world” to my knowledge have. myself included.” – Deadmau5
If the current trajectory of DJ sets continues, it won’t be long before everyone catches on to what’s really going on here. In the same way that mainstream radio stations have killed songs by playing them far too often, DJs are quickly doing the same.
Luckily, this problem is easily rectified. Now is the time to capitalize on the momentum of the industry, to embrace the sudden infatuation with our music as opposed to shying away from it. People want to be surprised. They want to be blown away. They want a reason to keep liking it.
Playing the same stuff over and over is not the way to make that happen. That’s the way to turn people off. That’s the way to repeat history from the rap game — and dance music is so much better than rap.“you know what makes the EDM show the crazy amazing show that it is? you guys do, the fans, the people who came to appreciate the music” – Deadmau5
So this is a message to all the DJs out there who read Dancing Astronaut (and to the ones who don’t too): Don’t be afraid to take risks. Don’t be afraid to play a song that you released in 2011, 2010, or 1995 for that matter. Don’t be afraid to play a new song from an up-and-comer that has the potential to make people “go bananas.” Don’t be afraid to omit your latest single for once. Don’t be afraid to leave us wanting more.
If you do, we’ll keep coming back for it.
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I miss the days where I would say “Whoa, what is this?!” instead of “Ugh, this bootleg again?” As much as it sucks when Shazam can’t ID a track, it sucks even more when you know every single song being played.
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'DV8 Rocks!'
Thanks to a wide range of smashing releases DV8 is the very first harder styles vocalist that is up for the challenge to generate his own live performance. With his exclusive stage act: 'DV8 Rocks!' this multi-talented MC will raise the bar once again.
For a decade DV8 has been able to put a firm stamp on hardstyle. Writing and producing with the biggest icons in the scene, this MC has delivered numerous hardstyle classics. He travelled all around the globe and introduced audiences worldwide to a new phenomenon: hardstyle vocalism. His all-time classics 'Nothing Else Matters' and 'Shout Out' were the perfect way to show the harder dance scene he could do much more than just lay down a rap.
Now DV8 is on the verge of changing the game once more. With his brand new concept 'DV8 Rocks!' he delivers the first MC based hardstyle live act ever. Ready to shake up the standards in the harder scene again he will unleash a new beast within himself. Expect the unexpected as DV8 will take you on a very diverse trip from the past to the future. You can be sure of one thing: you will tremble, shake, sing, and bounce to the voice of hardstyle, because 'DV8 Rocks!'
Your first chance to witness 'DV8 Rocks!' has been powered by Wish Outdoor Festival. On saturday june 30th he will play the 'Dedicated' mainstage and make you part of his 'decade of dedication'.
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Maar wat gaaat er nu precies veranderen?wrote:'DV8 Rocks!'
Thanks to a wide range of smashing releases DV8 is the very first harder styles vocalist that is up for the challenge to generate his own live performance. With his exclusive stage act: 'DV8 Rocks!' this multi-talented MC will raise the bar once again.
For a decade DV8 has been able to put a firm stamp on hardstyle. Writing and producing with the biggest icons in the scene, this MC has delivered numerous hardstyle classics. He travelled all around the globe and introduced audiences worldwide to a new phenomenon: hardstyle vocalism. His all-time classics 'Nothing Else Matters' and 'Shout Out' were the perfect way to show the harder dance scene he could do much more than just lay down a rap.
Now DV8 is on the verge of changing the game once more. With his brand new concept 'DV8 Rocks!' he delivers the first MC based hardstyle live act ever. Ready to shake up the standards in the harder scene again he will unleash a new beast within himself. Expect the unexpected as DV8 will take you on a very diverse trip from the past to the future. You can be sure of one thing: you will tremble, shake, sing, and bounce to the voice of hardstyle, because 'DV8 Rocks!'
Your first chance to witness 'DV8 Rocks!' has been powered by Wish Outdoor Festival. On saturday june 30th he will play the 'Dedicated' mainstage and make you part of his 'decade of dedication'.
A
Amenwrote:
What worries me is not that DJs are simply “pressing play,” but that they’re pressing play on the same tracks in the same order night after night after night. There’s new music being released at a breakneck pace, but many of the big name DJs are still spinning the same freaking sets every time. They are playing the same bootlegs, making the same transitions, and delivering the same exact shtick every day of the week.
You would think that the DJs themselves would get bored of it, yet they continue to drop predictable, staid combinations like “Coming Home” vs “Quasar” in nearly every set they play. Maybe it’s because we’re still jumping around as ferociously as we did the first time or maybe it’s because they still get paid regardless of what they play. I’m not saying that these sets are bad, because they’re not. I am saying that they’re getting old.
Aan het typen...
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Hij zegt eerst dat het mainstream worden van de scene geen slecht iets is. Maar al die dingen die hij opnoemt zijn in mijn ogen een gevolg van het mainstream worden. Hij benoemt dus eigenlijk slechts de symptomen en negeert het daadwerkelijke probleem.
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DV8 op Wish, even kijken wat dat wordt! Als dat een collectie van tracks is waar hij aan mee heeft gewerkt kan eht mooi worden.
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Wildstylez & Alpha Twins vs DV8 Rocks! - Leave It All Behindwrote:DV8 op Wish, even kijken wat dat wordt! Als dat een collectie van tracks is waar hij aan mee heeft gewerkt kan eht mooi worden.
View on YouTube
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Kan StephanKetz geen ban krijgen? Die gast loopt over filmpjes/foto's te spammen terwijl ze al lang ergens staan 
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Het is meer een reactie op de act 'DV8 Rocks' , kijk maar naar de track titelwrote:Kan StephanKetz geen ban krijgen? Die gast loopt over filmpjes/foto's te spammen terwijl ze al lang ergens staan
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Maar wat heeft het voor nut?wrote:Het is meer een reactie op de act 'DV8 Rocks' , kijk maar naar de track titelwrote:Kan StephanKetz geen ban krijgen? Die gast loopt over filmpjes/foto's te spammen terwijl ze al lang ergens staan
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Zal ik dat maar regelen en jij niet?wrote:Kan StephanKetz geen ban krijgen? Die gast loopt over filmpjes/foto's te spammen terwijl ze al lang ergens staan
Ontopic.
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Eindelijk weer eens echt gave kicks van hem 
